Tag: <span>designers</span>

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This week we fully launched our coverage of Metropolitan Homes Showtime House: behind-the-scenes videos, house tours, room galleries, decadent decor, designer secrets, sweepstakes and virtual mood boards that’ll help you recreate the featured rooms. But when you have a four-story townhouse designed by 12 top designers using six of the edgiest, wittiest shows on television for their inspiration–it’s almost too big, too amazing to begin to capture it all. The house is packed with stories on innovative color, texture and materials–it is basically a novel on good design–but if there was one thing that makes these rooms sing, its the lighting.

(Above) Paper Clip Chandelier by Gary Ponzo featured in Jamie Drakes Californication Writers Study
Meticulously handmade from over 4,000 little clips, this chandelier casts a prism-like pattern onto ceiling and walls when illuminated by its half-silvered bulb.

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Flos Sky Garden by Marcel Wanders featured in Laura Kirars Tudors Living Room

Inspired by an antique decorated plaster ceiling in his former home, the Dutch designer created these architectural spheres with laser-cut leaves, flowers and branches in a chalk plaster relief.When grouped together, they fill the room with an illusionary garden.

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Drink Another Chandelier by Gregoire Abrial featured in Amy Laus Dexter Dining Room

Repurposed wine glasses dipped in white latex, then strung amidst wood, cables, light bulbs, wires, wax rope and ribbon form the aptly named “Drink Another.”

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Light Fixture by David Weeks featured in White Webb's Weeds Lounge

This nine-globe triple-tier fixture hovers like a mobile. Weeks slices away portions of generic cone shapes until a new, sensual form emerges which then can be added to the lamp base.

This is just a scratch on surface of great design, so click here for more from the Showtime House.

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Rwrightmanchair-PAscene.jpgWhen New York furniture designer Richard Wrightman told me he outsourced all of his chair production to the Amish of Lancaster County, I couldn’t believe it. But Richard, I asked, they don’t use electricity. This didn’t seem to bother him. It actually enticed him to use the Amish. He says their history of woodworking, strong work ethic, and integrity swayed him away from some of the more economical factories abroad and they do use some electricity.

In the community Wrightman is working with, the bishop draws the line of what’s in violation of Amish custom and to help their economy, he’s loosened up the rules a bit. They still can’t use the electrical grid, but they can use power tools. To make this work, they convert power tools electric motors to hydraulic motors and thus keep their self-sufficient energy system. And for the big projects that require some extra voltage, they can ask their Mennonite neighbors to help finish the job.

This insight into contemporary Amish practices is a bit surprising, but their occasional use of electricity doesn’t take away from their craftsmanship–their trained hands, mind, and eyes are what sets them apart from other manufacturers. And for smaller companies like Richard Wrightman Design, who need help with their production but want a supremely high level of quality, the Amish are apparently a great resource.

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